MTO Dissertation List

Dissertation Index

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Author	Title	Institution	Completed
Adams, Kyle	A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century	CUNY Graduate Center	January 2008
Amos, Laura Christine	An Examination of 1920s Parisian Polytonality: Milhaud's Ballet La Creation du monde	The University of Texas at Austin	May 2007
Attar Ron	Analysis of Bela Bartok's Performances to Selected Compositions	Bar-Ilan University, Israel	June 2007
Ayotte, Benjamin McKay	Incomplete Ursatzformen Transferences in the Vocal Music of Heinrich Schenker	Michigan State University	May 2008
Byron, Avior	Schoenberg as Performer: An Aesthetics in Practice	Royal Holloway, University of London	June 2007
Danby, Judd	Array and Superarray Structure and Projection in Milton Babbitt's recent Orchestral Music	University of Illinois at Urbana-Champaign	November 1997
Derfler, Brandon	Single-Voice Transformations: A Model for Parsimonious Voice Leading	University of Washington	November 2007
Doll, Christopher	Listening to Rock Harmony	Columbia University	May 2007
Greitzer, Mary L	Tormented Voices	Harvard University	August 2007
Hoag, Melissa E.	Multiply-Directed Moments in the Music of Brahms	Indiana University	May 2008
Johnson, Barrett A	An Original Composition, Galleria Armonica, Theme and Variations for Piano, Harpsichord, Harp and Orchestra and A Comparative Study Between the Pedagogical Methodologies of Arnold Schoenberg and Nadia Boulanger Regarding Training the Composer	Louisiana State University	November 2007
Joti Rockwell	Drive, Lonesomeness, and the Genre of Bluegrass Music	University of Chicago	June 2007
Kaastra, Linda T.	Systematic Approaches to the Study of Cognition in Western Art Music Performance	University of British Columbia	May 2008
Malawey, Victoria L.	Temporal Process, Repetition, and Voice in Björk's Medúlla	Indiana University Bloomington	December 2007
Martins, Jos� Oliveira	Dasian, Guidonian, and other Affinity Spaces in Twentieth-Century Music	University of Chicago	March 2006
Petrocelli, Paolo	William Walton and the Violin Concerto in England between the 1900 and 1940	University of Rome	December 2007
Rivera, Gina	Apprehending Music Performance in the French Enlightenment	Harvard University	August 2007
Sheehan, Paul J.	Twelve-Tone Entities, Inquisitorial Mind, and the Network Model of the Multitude: Analyzing Luigi Dallapiccola's Il prigioniero	Columbia University	November 2007
Steinbeck, Paul	Urban Magic: The Art Ensemble of Chicago�s Great Black Music	Columbia University	May 2008
Stocken, Frederick	Anton Bruckner and Simon Sechter's Fundamental Bass Theory	Manchester University, UK	December 2007

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